Share
Upload your tracks and they're transcoded and streamed. No in-house compression that wrecks your mix: the file you upload stays the master, and you can take it down whenever you like.
Opening gradually
Your music,
your audience,
your terms.
Musicians juggle three services to do three things: share their tracks, work on them together, and sell what they make. Veza puts all three in one place — self-hosted, without selling your data, and with no algorithm deciding who deserves to be heard.
What you can do there
Work together
Rooms, threads and feedback pinned to a specific track, instead of buried in a chat. What's said about a version stays with that version.
Sell
Tracks, licences, second-hand gear between musicians. The platform's commission is shown up front, not hidden in the small print.
Where things really stand
- The code
- Written and tested: streaming, accounts, rooms, shop. It runs every day.
- The test platform
- Online, and used to check every version before anything opens.
- Public launch
- Not yet. That's exactly what this list is for.
This page says waiting list, not coming soon, because “coming soon” doesn't mean anything. You'll hear from us when there's something to open — and not before.
Where it comes from
Veza is made by the workshop behind the Talas One, a studio microphone whose schematics, measurements and production cost are all public — including what isn't right yet. The mic is still in the works too: one measured prototype, a first production run to come. Both tell you where they stand instead of promising a date.
It's the same rule, applied to a service instead of an object: show what you're doing, show what it costs, and never build anything you can't take back control of. On a microphone, that means screws instead of glue. On a platform, it means your files stay yours, the commission is visible, and the code can be read.